Days of Blood and Starlight

Hahahaha I lied.

I didn’t completely disappear of the face of this blog.

Not yet.

Blog, I am completely, utterly, fairytale-swoon-esque, glitter and fairies, absolutely starstruck with Laini Taylor and her writing.

I read Daughter of Smoke and Bone about one or two months ago, and I remember being interested in it, even though that cover flap summary did fall a bit flat. But at urging of Samantha Shannon on Twitter, I decided to give it a go.

I liked Daughter. I love how it painted a slow romance and intrigue, how Laini handled everything so smoothly, so effortlessly. There was humor, there was magic, there was blood and a semi-apocalypse that grew into a bigger apocalypse in Book 2.

But I LOVED Days of Blood and Starlight. Laini Taylor said in an interview that Daughter and Days were very different book, with Daughter being a romance and Days being a war book. And it was so, so true. Daughter revealed Laini’s grace and talent, like a singer coming up as a contestant in a show with a simple, glittering dress, singing a sweet, beautiful ballad or something. I could sense something new. Something else. But Days—oh my goodness–it was like the singer coming back on stage and lighting it on fire and smoke while dancing in Katniss’s burning dress and belting out Idina Menzel’s “Defying Gravity.”

It was electric. Emotions were amplified and brought out with her expert prose. There was indeed violence and gore, and sex, but it was so well-handled that it was essential to the plot, and nothing seemed strained or overplayed. Themes resurfaced and I remember crying–literally crying during the scene when Akiva and Karou met again after the awful truth–it was full of stakes and tension and such raw emotion. I could sense every bit of sadness and betrayal and oh, oh my God. It wrote of a pure love that was the double-edged sword that hinted at hope and redemption, but also brought upon consequences of a deadly war between the seraphim (angels) and the chimaera (devils).

Laini Taylor does it perfectly. Even the humor is subtle and incredibly nuanced. It was heavily fantasy, but it also had a fairytale folklore element that made it so it wasn’t a cliche, archetypal high fantasy. The world of Eretz, where the seraphim and the chimaera dwelled, was so, so real. It was magical and ethereal and heartbreaking and a work of art.

Now I am eyeing the release date for Dreams of Gods and Monsters…

April 8, 2014.

Dear God, can I wait that long?

*grabby hands*

Okay, back to my writing.

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